{"id":299001,"date":"2006-05-11T00:00:00","date_gmt":"2006-05-11T07:00:00","guid":{"rendered":"https:\/\/sdnews.com\/sushi-rolls-up-a-contemporary-new-wave-showcase-at-ucsd\/"},"modified":"2006-05-11T00:00:00","modified_gmt":"2006-05-11T07:00:00","slug":"sushi-rolls-up-a-contemporary-new-wave-showcase-at-ucsd","status":"publish","type":"post","link":"https:\/\/test.sdnews.com\/es\/sushi-rolls-up-a-contemporary-new-wave-showcase-at-ucsd\/","title":{"rendered":"Sushi rolls up a contemporary New Wave Showcase at UCSD"},"content":{"rendered":"<p>If you squint really hard with one or both eyes, you can make out the wrecking ball taking shape over St. Cecilia&#8217;s Playhouse, the importunate venue that for years was the home of downtown San Diego&#8217;s maverick Sledgehammer Theatre. Several months from now, the onetime funeral parlor\/church on Sixth Avenue will meet with history, one of the latest casualties amid the city&#8217;s obsession with condo projects and the income streams they generate.<br \/>If all of San Diego&#8217;s new condos were demolished and laid end to end, they&#8217;d stretch around a lot of people just as happy with the result.<br \/>Dance-oriented Sushi Performance and Visual Art, whose New Wave Showcase is set for Friday through Sunday, May 12-14, at University of California, San Diego&#8217;s (UCSD) Molli &#038; Arthur Wagner Dance Building, is one of several local companies that performed at St. Cecilia&#8217;s while Sledge was the anchor tenant. The connection would eventually yield a philosophical partnership that&#8217;s outlasted the building&#8217;s occupancy. Sushi, like Sledgehammer, holds itself out as a champion of the new and experimental &#8220;&#8221; and with New Wave, each art of choice will meld and complement in the interest of aesthetic expression and global public appeal.<br \/>Janet Hayatshahi, former Sledge artistic director and an advisor to the New Wave project, has an explanation.<br \/>&#8220;There are things that do cross those lines between theater and dance &#8221; gestures, phrases, movement,&#8221; she said. &#8220;Those struggles that we have in theater are the same as the dancers have in dance: how do you get a gesture to say what a playwright would say?&#8221;<br \/>&#8220;Our vocabulary is the same,&#8221; she continued. &#8220;We&#8217;re all storytellers. We&#8217;re all trying to get to the same place in terms of bringing an audience into our awareness, whatever that is. People really need to blur those lines &#8220;\u00a6 between dance and theater and even visual art and music.&#8221;<br \/>Some of the weekend&#8217;s itinerary reads accordingly. Alicia Peterson and her dancers will perform &#8220;A separate piece entirely,&#8221; which features the troupe&#8217;s indirect relationship with an oud, a stringed instrument that predates the Middle Eastern lute. Moriah Evans and Evelyn Donnelly will mount a dance piece that focuses on the actual installation of a painting. Don Nichols&#8217; &#8220;News Between Copies&#8221; includes percussion, video and prerecorded sound in a story about TV news and its financial interests versus the public good.<br \/>New Wave is part of Sushi&#8217;s 2006 East|West Performance Festival, which features a mix of art and artists from San Diego, L.A., New York, Seattle, Tijuana and Switzerland. And the festival&#8217;s contemporary flavor is no accident. The rapid growth of Malashock Dance; the recent advent of George Balanchine&#8217;s coveted works at City Ballet of San Diego; Eveoke Dance Theatre&#8217;s new 10th Avenue Theatre venue; the construction of an anchor lab space for local dance at the NTC Promenade: San Diego is quietly building a modern dance base whose activity may exceed that of Hayatshahi&#8217;s last pursuit.<br \/>&#8220;This is stuff that you get in major cities, and we&#8217;re getting it in San Diego &#8221; not that we&#8217;re not a major city, but we&#8217;re certainly not one of the top three arts communities in the country,&#8221; Hayatshahi said. &#8220;I think dance is thriving here a lot more than theater is right now. Very little theater comes through here except the Broadway\/San Diego stuff, and those are very cookie-cutter and very much the same.&#8221;<br \/>Additionally, the festival&#8217;s funding sources speak to local corporate involvement in the growth of dance. Donors include the James Irvine Foundation; the San Diego Women&#8217;s Foundation, the Horton Plaza Theater Foundation, the City of San Diego Commission for Arts and Culture and the County of San Diego.<br \/>Local theater doesn&#8217;t get that kind of civic support, leastwise not so you&#8217;d notice. However unwittingly, that bears out a good part of Hayatshahi&#8217;s contention: that the really meaningful artistic convergence will be taking place on the stage.<br \/>UCSD&#8217;s Wagner Dance Building is at 9500 Gilman Drive. Tickets ($10, $15 and $20) are available at (619) 235-8466. More information is available at www.sushiart.org.<\/p>","protected":false},"excerpt":{"rendered":"<p>If you squint really hard with one or both eyes, you can make out the wrecking ball taking shape over St. Cecilia&#8217;s Playhouse, the importunate venue that for years was the home of downtown San Diego&#8217;s maverick Sledgehammer Theatre. Several months from now, the onetime funeral parlor\/church on Sixth Avenue will meet with history, one [&hellip;]<\/p>","protected":false},"author":726,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"Sushi rolls up a contemporary New Wave Showcase at UCSD","_seopress_titles_desc":"","_seopress_robots_index":"","jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[11600],"tags":[],"class_list":["post-299001","post","type-post","status-publish","format-standard","hentry","category-sdnews"],"_links":{"self":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts\/299001","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/users\/726"}],"replies":[{"embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/comments?post=299001"}],"version-history":[{"count":0,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts\/299001\/revisions"}],"wp:attachment":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/media?parent=299001"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/categories?post=299001"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/tags?post=299001"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}