Outdoor cinema on the Athenaeum patio in the heart of La Jolla San Diego Noir: The First Ever Showcase of Film Noir in America\u2019s Finest City
\nThe Athenaeum\u2019s popular film series, “Flicks on the Bricks,” returns in August for its 13th year. Guests are invited to join us on the Athenaeum\u2019s outdoor patio for balmy summer nights and screenings of classic cinema al fresco. Series tickets for the open-air theater viewings include four memorable films.
\nCurated by KPBS film critic and Cinema Junkie Podcast host\u00a0Beth Accomando\u00a0and noir aficionado\u00a0D. A. Kolodenko, Film noir (which literally means black film) is a term coined by French film critics to describe a style of cinema that emerged in the 1940s and revealed a darkness and cynicism that challenged audiences with something new. These films were rooted in hard-boiled crime fiction and were often brought to the screen by European \u00e9migr\u00e9 directors.
\nWith so many great films noir to choose from, this series focuses on films with a San Diego connection. Each film will be introduced by Accomando and Kolodenko, and they will place the film in a context and highlight the San Diego connection.
\nAccomando is currently in the midst of a yearlong noir film series at Digital Gym Cinema called Noir on the Boulevard. The series is programmed by Film Geeks SD and screens a classic noir one Sunday a month and a neo-noir every other month on a Monday night. Kolodenko is guest blogging on KPBS Cinema Junkie with a column about the Noir Book of the Month Club, focusing on the literary sources of the classic noir films screening at Digital Gym Cinema.
\nHere\u2019s the lineup:
\nAug. 2\u2014\u00a0\u2018Devil Thumbs a Ride\u2019(1947); \u2018The Clay Pigeon\u2019\u00a0(1949)\u00a0
\nStudio B movies were meant to round out a double feature with an A picture at the top of the bill. Here we pair two B movies that come in at a taut 60 minutes or so.\u00a0The Clay Pigeon\u00a0involves an amnesiac Navy veteran and former POW, Jim Fletcher (Bill Williams), who is accused of murdering his war buddy. To help prove his innocence, Jim heads to San Diego to find Martha Gregory (played by Perry Mason\u2019s Barbara Hale), the widow of the friend he\u2019s accused of killing.\u00a0
\nThe Clay Pigeon\u00a0serves up an imagined San Diego that is typical of the city\u2019s representation in film noir as the postwar home of ex-military personnel. But in spite of San Diego\u2019s proximity to Hollywood, the “B\u2019 budgets of film noir dictated that the city was often represented by sets on studio back lots and L.A. locations, as it is in\u00a0The Clay Pigeon.
\nIn\u00a0Devil Thumbs a Ride, tough-guy Lawrence Tierney plays Steve Morgan, a narcissistic, sadistic criminal. The film opens with the robbery of the fictional San Diego Bank. It leads to an uncomplicated but compelling warning about dangerous behaviors that can place you in a car with a monster.\u00a0
\nAug. 9 – \u2018Tension\u2019\u00a0(1949)
\nTension\u00a0is set in Culver City, California, where mild-mannered drugstore manager and ex-sailor Warren Quimby (a young Richard Basehart) tries to convince his restless wife, Claire (Audrey Totter), to accept a life of domestic suburban tranquility\u2014a notion that bores Claire. Totter was one of the all-time greats at playing femme fatales, and Claire is probably her finest role. San Diego isn\u2019t seen in the movie, but it represents a happier time for Claire and Warren\u2014and gets a mention in one of the film\u2019s most memorable lines. Aug. 16 – \u2018The Brothers Rico\u2019\u00a0(1957)\u00a0
\nIn the fictitious town of Bayshore, Florida, Eddie Rico (Richard Conte), a former mob accountant, has turned his life around; he\u2019s now the happily married owner of a laundry company. But in the world of film noir, nobody leaves a crime syndicate for long\u2014the disappearance of Eddie\u2019s titular brothers pulls him back into conflict with the New York mafia. Based on a Georges Simenon story, with some ghostwriting by Dalton Trumbo, the well-acted film stands as one of the best films about organized crime of the 1950s.
\nThe San Diego connection here is an ironic one since\u00a0The Brothers Rico\u00a0was shot in San Diego with Coronado standing in for the make-believe Bayshore.
\nAug. 23 – \u2018The Grifters\u2019\u00a0(1990)
\nStephen Frears\u2019 acclaimed neo-noir\u00a0The Grifters\u00a0(co-produced by Martin Scorsese) was based on Jim Thompson\u2019s 1963 novel, though the film is set in the late 1980s. Con artists Roy Dillon (John Cusack) and Myra Langtry (Annette Bening) head down from Los Angeles by train for the La Jolla horse races, where Roy\u2019s mother Lilly (Anjelica Huston) works fixing odds for an East Coast bookie.
\nThompson knew San Diego. In the 1940s, he worked at Solar Aircraft and lived in a duplex in Mission Hills, where he wrote his first crime novel. After the war, he worked as a journalist for the\u00a0San Diego Journal\u00a0and moved his family to a small house in Linda Vista. Thompson liked to explore San Diego\u2019s downtown nightlife and often took weekend outings with his wife to the Del Mar track, which he relocated to La Jolla for the novel. The Paradise Turf track in Phoenix served as the filming location for the fictionalized La Jolla track in the film, but some scenes were filmed in San Diego\u2014keep your eyes peeled for another iconic San Diego location.
\nFor information and registration, call 858-454-5872 or visit ljathenaeum.org\/flicks<\/p>","protected":false},"excerpt":{"rendered":"
Outdoor cinema on the Athenaeum patio in the heart of La Jolla San Diego Noir: The First Ever Showcase of Film Noir in America\u2019s Finest City The Athenaeum\u2019s popular film series, “Flicks on the Bricks,” returns in August for its 13th year. Guests are invited to join us on the Athenaeum\u2019s outdoor patio for balmy […]<\/p>","protected":false},"author":726,"featured_media":275509,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"11559","_seopress_titles_title":"\u2018Flicks on the Bricks\u2019 series: San Diego film noir at the Athenaeum","_seopress_titles_desc":"","_seopress_robots_index":"","jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[11559,11551],"tags":[],"class_list":["post-275508","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-beach-bay-press","category-news"],"_links":{"self":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts\/275508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/users\/726"}],"replies":[{"embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/comments?post=275508"}],"version-history":[{"count":0,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts\/275508\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/media\/275509"}],"wp:attachment":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/media?parent=275508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/categories?post=275508"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/tags?post=275508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}