{"id":266636,"date":"2019-02-06T00:00:00","date_gmt":"2019-02-06T08:00:00","guid":{"rendered":"https:\/\/sdnews.com\/la-jolla-symphony-to-perform-anton-bruckner-philip-glass-announces-commissioning-program-2\/"},"modified":"2019-02-06T00:00:00","modified_gmt":"2019-02-06T08:00:00","slug":"la-jolla-symphony-to-perform-anton-bruckner-philip-glass-announces-commissioning-program-2","status":"publish","type":"post","link":"https:\/\/test.sdnews.com\/es\/la-jolla-symphony-to-perform-anton-bruckner-philip-glass-announces-commissioning-program-2\/","title":{"rendered":"La Jolla Symphony to perform Anton Bruckner, Philip Glass; announces commissioning program"},"content":{"rendered":"<p>La Jolla Symphony &#038; Chorus continues a season-long exploration of the theme &#8220;Lineage&#8221; with its third concert of the 2018-19 series. On Feb. 9-10, Steven Schick will conduct the orchestra in a program that begins with Philip Glass\u2019s\u00a0&#8220;Cello Concerto No. 2,&#8221; featuring as soloist Chicago Symphony cellist Katinka Kleijn, and concludes with Anton Bruckner\u2019s grand\u00a0&#8220;Symphony No. 3.&#8221;\u00a0<br \/>\nIn between is the world premiere of an adventurous new work,\u00a0&#8220;Community Acoustics,&#8221;\u00a0by LJ White,\u00a0the inaugural recipient of the Brenda and Steven Schick Commission.\u00a0\u00a0<br \/>\nGlass\u2019 &#8220;Cello Concerto No. 2&#8221; is a reshaping of music that Glass originally composed for the last installment (Naqoyqatsi) of the &#8220;Qatsi Trilogy&#8221; by filmmaker Godfrey Reggio. The film version (released in 2002) included a prominent part for solo cello that was written for Yo-Yo Ma, who performed it on the film score. Ten years later, Glass revisited the film score, dropping several segments and reshaping the music to give a more prominent, virtuosic role to the cello soloist. The\u00a0&#8220;Second Cello Concerto&#8221;\u00a0was premiered March 30, 2012 by the Cincinnati Symphony Orchestra. The stylistic features associated with Glass\u2019 music \u2013 pulsing rhythms, rapidly changing meters, clean textures and shifting colors \u2013 are very much a part of this score. The concerto is written for large orchestra with an extremely difficult part for the soloist, who must project the dramatic sweep of the music across its forty-minute span. Joining La Jolla Symphony &#038; Chorus is Dutch cellist Katinka Kleijn. Described as &#8220;a player of formidable expressive gifts&#8221; (NY Times), Kleijn is an in-demand soloist, frequent collaborator with International Contemporary Ensemble (ICE), and a member of the Chicago Symphony Orchestra.<br \/>\nWhite is a composer whose music serves ideals of direct, focused and socially relevant expression. His newest work,\u00a0&#8220;Community Acoustics,&#8221;\u00a0is inspired by field recordings from the natural world that display acoustic &#8220;niche separation&#8221; \u2013 how sounds within an ecosystem organize themselves into distinct frequency layers and interlocking patterns that allow for communication and overall ecosystem function. White\u2019s piece explores not only this phenomenon, but also the effect upon it of today\u2019s changing noise-scape.\u00a0&#8220;Community Acoustics&#8221; combines harmonic and linear musical events with material that reminds us of natural sounds, creating a sound ecosystem out of the orchestra, including audience participation at the end. The world premiere of\u00a0&#8220;Community Acoustics&#8221;\u00a0is supported by the Brenda and Steven Schick Commission, a newly launched annual commission for La Jolla Symphony &#038; Chorus, which will fund new symphonic music that embraces values of social and environmental optimism.<br \/>\n&#8220;Brenda and I are thrilled that the wonderful composer LJ White has agreed to compose the first of these commissions,&#8221; says La Jolla Symphony &#038; Chorus music director Steven Schick of his and his wife\u2019s new endeavor.\u00a0&#8220;His piece,\u00a0\u2018Community Acoustics,\u2019\u00a0is not only beautiful and evocative music, but it\u00a0reminds us that one of our fundamental goals is to listen carefully to each other and to the world around us.&#8221;<br \/>\nBruckner\u2019s expansive and much-revised\u00a0&#8220;Symphony No. 3&#8221;\u00a0includes the hefty textures and grand musical statements associated with his music. At these concerts, Bruckner\u2019s final version of the symphony, completed in 1890, is performed. The music is compact, tuneful and scored modestly (pairs of woodwinds, four horns, three trumpets, three trombones, timpani, and strings). Much of its characteristic sound comes from the composer\u2019s love of brass instruments, which have a tremendous part in this symphony. Against their bright, dramatic sound, Bruckner sets a rich, almost cushioned string sonority.\u00a0<br \/>\nThe performances take place in Mandeville Auditorium at UC San Diego on Saturday, Feb. 9 and Sunday, Feb. 10. Concert times are 7:30 p.m. on Saturday and 2 p.m. on Sunday. A pre-concert lecture by Steven Schick is given one hour before concert start. Tickets are $15-$35. Parking is free on weekends. To purchase tickets or for more information, call 858-534-4637 or visit\u00a0lajollasymphony.com.<\/p>","protected":false},"excerpt":{"rendered":"<p>La Jolla Symphony &#038; Chorus continues a season-long exploration of the theme &#8220;Lineage&#8221; with its third concert of the 2018-19 series. On Feb. 9-10, Steven Schick will conduct the orchestra in a program that begins with Philip Glass\u2019s\u00a0&#8220;Cello Concerto No. 2,&#8221; featuring as soloist Chicago Symphony cellist Katinka Kleijn, and concludes with Anton Bruckner\u2019s grand\u00a0&#8220;Symphony [&hellip;]<\/p>","protected":false},"author":726,"featured_media":266635,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"11560","_seopress_titles_title":"La Jolla Symphony to perform Anton Bruckner, Philip Glass; announces commissioning program","_seopress_titles_desc":"","_seopress_robots_index":"","jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[11549,12360,11560,11551],"tags":[],"class_list":["post-266636","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-entertainment","category-duplicate","category-la-jolla-village-news","category-news"],"_links":{"self":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts\/266636","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/users\/726"}],"replies":[{"embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/comments?post=266636"}],"version-history":[{"count":0,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts\/266636\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/media\/266635"}],"wp:attachment":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/media?parent=266636"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/categories?post=266636"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/tags?post=266636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}