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The play is primarily known for the two central characters, Beatrice and Benedick, who spend most of the play denying their mutual attraction until their friends trick them into admitting the truth. Yet it turns serious when a bad actor named Don John tries to scotch the wedding plans of two other important characters, soldier Claudio and pretty young thing Hero.<\/p>\n
Under the assured directorial hand of Kathleen Marshall, The Old Globe moves the well-known story to the 1930s \u2014 clad with all Michael Krass\u2019 eye-catching costumes that the era brought us, and performed on John Lee Beatty\u2019s candy-colored set, which is complete with a crystal-look dining-room chandelier. It also tosses in many songs of the time, from Irving Berlin\u2019s \u201cPuttin\u2019 on the Ritz\u201d to Cole Porter\u2019s \u201cLet\u2019s Fall in Love\u201d to Charlie Chaplin\u2019s \u201cSmile.\u201d<\/p>\n
But don\u2019t let the lightness fool you. There\u2019s near-tragedy waiting in the wings.<\/p>\n You may recall the plot: The Prince of Aragon, Don Pedro (Michael Boatman), his bastard brother Don John (Manoel Felciano) and two friends \u2014 the shy, young Italian nobleman Claudio (Carlos Angel-Barajas) and Benedick (Michael Hayden) \u2014 roll in from a successful battle in a jaunty-looking covered buggy.<\/p>\n Beatrice (Sara Topham) and Benedick promptly resume their \u201cmerry war\u201d of words, while Claudio falls for Hero (Morgan Taylor), the pretty young daughter of the governor of Messina Leonato (Ren\u00e9 Thornton, Jr.).<\/p>\n A wedding is arranged for Hero and Claudio. While they\u2019re waiting, Benedick\u2019s buddies decide to speed up the groom-to-be\u2019s realization that he actually loves Beatrice instead. To convince him, they set up a hilarious scene in which they claim to have heard Beatrice swooning over him. Beatrice\u2019s friends Hero and Ursula (Larica Schnell) later do the same thing for Beatrice.<\/p>\n But our bad guy, Don John \u2014 played with great wickedness by Felciano \u2014 decides to ruin things for Claudio. John tells him Hero is unfaithful, and he claims he can prove it if Claudio and Hero\u2019s father watch below her window that night, when he has set up a phony scene that gives that impression.<\/p>\n These guys fall for the ruse and the day of the wedding ends in great unhappiness, with Claudio denouncing Hero, as well as Hero\u2019s father claiming it would be better if she died. But never fear, all will be well and the show will end with both couples united.<\/p>\n Marshall has a splendid cast, most especially in Topham and Hayden as the bicker-all-the-way-to-the-bedroom lovers.<\/p>\n Taylor is an extremely lovely and affecting Hero. Angel-Barajas has the right look but seemed a bit tentative as young Claudio. Fred Applegate is hilarious as Dogberry, the malaprop-prone constable, and Felciano, a frequent Old Globe actor, is suitably nasty as Don John.<\/p>\n Despite the title, this play isn\u2019t about \u201cnothing.\u201d It\u2019s a pun on \u201cnoting,\u201d and the topic is perception, misinterpretation and the ease with which people can be led to misconstrue actions or tricked into believing something that isn\u2019t true.<\/p>\n This \u201cMuch Ado\u201d has a great deal to recommend it, and I do.<\/p>\n![\"Not](\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2018\/08\/3-women.jpg\")
Taylor as Hero (Foto por Jim Cox)<\/em><\/figcaption><\/figure>\n![\"Not](\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2018\/08\/group.jpg\")
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