The production \u2014 directed by longtime Lamb\u2019s associate artist Kerry Meads \u2014 is a must-see for lovers of C.S. Lewis with fine acting and meaningful, affecting work. It continues through April 9 at the Coronado theater<\/strong>. In the opening monologue Robert Smyth, as C.S. (\u201cJack\u201d) Lewis, addresses love, pain and suffering as if the \u201cOxford Don\u201d is delivering a lecture to one of his classes. He then asks, \u201cIf God loves us, why does He allow us to suffer so much?\u201d Nicholson\u2019s play attempts to be both the question and the answer.<\/p>\n In the lead roles are producing artistic director Robert Smyth<\/strong> as C.S. Lewis (1898-1963) and his wife, associate artistic director Deborah Gilmour Smyth<\/strong>, as Lewis\u2019 late-in-life wife, American poet Helen Joy Davidman (1915-1960).<\/p>\n The Smyths, certainly among San Diego\u2019s finest actors, recently received Craig Noel Awards from San Diego Critics Circle for their performances last year in Intrepid Theatre\u2019s \u201cWho\u2019s Afraid of Virginia Woolf?\u201d As Robert said in post-performance discussion March 12, they portrayed two entirely different married couples, one fictional, the other real, but there is undeniable love underlying both relationships.<\/p>\n Lamb\u2019s Players\u2019 relationship with Lewis includes the 1999 production of \u201cTil We Have Faces,\u201d Robert\u2019s adaptation of Lewis\u2019 book, which was performed in Cambridge as part of the centennial celebration of Lewis\u2019 100th birthday. Lamb\u2019s also produced an unforgettable adaptation of Lewis\u2019 \u201cThe Lion, the Witch and the Wardrobe\u201d in 1997.<\/p>\n With \u201cShadowlands\u201d Lamb\u2019s demonstrates its usual, scrupulous production values, with Mike Buckley\u2019s scenic design fluidly presenting the play\u2019s many scenes, set in Oxford and environs. The largely male company is adept at creating character from the thin air of Oxford, England, in the early 1950s. Catie Grady contributes many female roles.<\/p>\n Lewis, one of the great thinkers of the 20th century, is the author of books as diverse as \u201cThe Chronicles of Narnia,\u201d \u201cMere Christianity\u201d and \u201cThe Screwtape Letters,\u201d among 60 others. He taught at both Oxford and Cambridge, and lived with his brother Warnie (Brian Salmon) with whom (on the play) he enjoyed a decidedly intimate and comfortable relationship. They meet socially on a regular basis with a group of other male intellectuals that at times (but not in the play) included J.R.R. Tolkien, author of \u201cThe Hobbit.\u201d<\/p>\n Lewis was a lifelong bachelor, with whom Davidman began corresponding in 1950. In the play, she visits him, and it is apparent that though she is still married, albeit unhappily, her purpose is to woo Lewis, with whom she has fallen in love through their correspondence.<\/p>\n He is quite resistant, as subtly telegraphed by Robert Smyth, throughout the couple\u2019s initial meetings and her eventual move, with her son, Douglas (Gavin Reed August), to be closer to Lewis. It\u2019s a costume design (Jeanne Reith) miracle how much is learned from Lewis\u2019 tweedy jacket, so misshapen from long usage and constant wear that it hangs crookedly upon his body.<\/p>\n When her visa is imperiled, Lewis agrees to marry Joy in a civil ceremony so that she and Douglas may remain in England. Though they continue to live separately, he falls in love with her gradually, and when she is diagnosed with advanced cancer he moves her into the home he shares with Warnie.<\/p>\n The characters of Lewis\u2019 male friends, created by John Rosen, Paul Maley, Jonathan Sachs and Jordan Miller, are by degrees stuffy and disapproving and hysterically funny.<\/p>\n Lewis\u2019 conversion from dependable bachelor to lover was not universally endorsed. However, Lewis\u2019 grief is all too real. A two-hour-plus play dealing with loss and grief may not sound like a fun time; however, the play is rife with humor, mostly due to Davidman, who has wit to match and captivate Lewis. Their love story is exhilarating and life affirming. The play\u2019s other great virtue is love, and it is for this that we honor the Smyths, Lamb\u2019s and all involved.<\/p>\n \u2014Charlene Baldridge has been writing about the arts since 1979. Follow her blog at charlenecriticism.blogspot.com<\/a> o llegar a ella en <\/em>charb81@gmail.com<\/em><\/a>. <\/em><\/p>","protected":false},"excerpt":{"rendered":" By Charlene Baldridge |\u00a0Theater Review<\/p>","protected":false},"author":731,"featured_media":251346,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"11555","_seopress_titles_title":"\u2018Shadowlands\u2019 is a \u2018must-see\u2019","_seopress_titles_desc":"","_seopress_robots_index":"","jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[11549,11547,11551,11550,11555],"tags":[],"class_list":["post-251345","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-entertainment","category-features","category-news","category-top-stories","category-uptown-news"],"_links":{"self":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts\/251345","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/users\/731"}],"replies":[{"embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/comments?post=251345"}],"version-history":[{"count":0,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts\/251345\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/media\/251346"}],"wp:attachment":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/media?parent=251345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/categories?post=251345"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/tags?post=251345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\u2018Shadowlands\u2019](\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2017\/03\/web-MAIN-922.jpg\")
<\/p>\n![\"\u2018Shadowlands\u2019](\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2017\/03\/web-932.jpg\")
![\"\u2018Shadowlands\u2019](\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2017\/03\/web-934.jpg\")
![\"\u2018Shadowlands\u2019](\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2017\/03\/web-920.jpg\")
![\"\u2018Shadowlands\u2019](\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2017\/03\/web-936-198x300.jpg\")
![\"\u2018Shadowlands\u2019](\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2017\/03\/Shadowlands-sidebar-192x300.png\")
<\/p>\n