{"id":250293,"date":"2016-06-03T00:00:00","date_gmt":"2016-06-03T07:00:00","guid":{"rendered":"https:\/\/sdnews.com\/thats-a-wrap\/"},"modified":"2016-06-03T00:00:00","modified_gmt":"2016-06-03T07:00:00","slug":"thats-a-wrap","status":"publish","type":"post","link":"https:\/\/test.sdnews.com\/es\/thats-a-wrap\/","title":{"rendered":"That\u2019s a wrap!"},"content":{"rendered":"<p><strong>FilmOut\u2019s LGBT Film Festival is ready for prime time<\/strong><\/p>\n<p>Por Ken Williams | Editor contribuyente<\/p>\n<p>If you like to laugh, FilmOut San Diego has something for you. If you like to cry at the movies, bring your tissues. And if you like films that are moody or dramatic, that\u2019s on the festival program, too.<!--more--><\/p>\n<p>The 18th annual San Diego LGBT Film Festival returns Friday through Sunday, June 3 \u2013 5, at the Observatory North Park, located at 2891 University Ave.<\/p>\n<p>Director Casper Andreas snagged both the Opening Night (\u201cKiss Me, Kill Me\u201d) and Closing Night (\u201cFlatbush Luck\u201d) films. The former is a film noir with a gay murder twist and the latter is a mainstream romantic comedy with a \u201ccoming out\u201d subplot.<\/p>\n<p><a href=\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2016\/06\/SDUN_060316_Film-Out-Imageweb-2.jpg\"><img decoding=\"async\" class=\"alignleft size-full wp-image-25526 lazyload\" data-src=\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2016\/06\/SDUN_060316_Film-Out-Imageweb-2.jpg\" alt=\"SDUN_060316_Film-Out-Imageweb\" width=\"600\" height=\"181\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 600px; --smush-placeholder-aspect-ratio: 600\/181;\" \/><\/a>Michael McQuiggan, FilmOut\u2019s longtime programming director, chose 37 full-length and short films for the 2016 festival \u2014 out of more than 900 entries from around the world. It\u2019s a daunting task to produce a final lineup.<\/p>\n<p>\u201cIt\u2019s difficult at times, because we have to turn down several really good films each year,\u201d McQuiggan said. \u201cHowever, we do manage to screen a few of them during our monthly screenings throughout the year.<\/p>\n<p>There really isn\u2019t a formula or specific \u201ccriteria\u201d for choosing the films for the annual festival, McQuiggan said.<\/p>\n<p>\u201cWe are constantly looking at other LGBT film festivals throughout the year and of course check out the films selected for Berlin, London and Sundance,\u201d he said. \u201cFilmmakers find us now since FilmOut is in a major LGBT film festival database.<\/p>\n<p>\u201cShort films are definitely more difficult to select \u2014 especially when you receive 700 of them,\u201d he continued. \u201cSo hundreds of LGBT short films slip through the cracks. We could literally have an LGBT Short Film Festival and still not have enough room to screen them all.\u201d<\/p>\n<p>After 17 years, FilmOut has become special to a number of filmmakers, such as Andreas, whose films have been showcased at the festival for more than a decade. Board members regularly get highly positive feedback from filmmakers who attend the festival.<strong><br \/>\n<\/strong><\/p>\n<p>\u201cWe are a low-maintenance festival and we treat our filmmakers\/talent exceptionally well \u2014 hotel rooms, air\/travel for spotlight films, additional comp tickets, etc.,\u201d McQuiggan said. \u201cLGBT filmmakers talk [about the festivals they attend] and I have had dozens of messages each festival from filmmakers telling me specifically how well-respected FilmOut is as an LGBT film festival.\u201d<\/p>\n<p>A few years ago, FilmOut slimmed the festival down to only three days.<\/p>\n<p>\u201cTheater rental cost was a deciding factor,\u201d McQuiggan said. \u201cIdeally, FilmOut should be four days: Opening Night on a\u00a0Thursday, then two\u00a0movies on Friday\u00a0evening and all day the rest of the weekend. Adding\u00a0Thursday\u00a0would allow us to add two more features that we normally have to pass on.<\/p>\n<p>\u201cAs of right now, I am OK with a three-day streamlined festival,\u201d he added. \u201cOur festival is too big for Hazard Center in Mission Valley and Hillcrest Landmark Cinema. They only have 100-150 seats in their theaters. Some of our films draw 750 people. Observatory North Park or Ken Cinema are our only options. We will definitely expand for our 20th anniversary \u2014 the number of days to be determined.\u201d<\/p>\n<figure id=\"attachment_25519\" aria-describedby=\"caption-attachment-25519\" style=\"width: 1024px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2016\/06\/Shared-Rooms.jpg\"><img decoding=\"async\" class=\"size-large wp-image-25519 lazyload\" data-src=\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2016\/06\/Shared-Rooms-1024x438.jpg\" alt=\"Scene from \u201cShared Rooms,\u201d the Boys Centerpiece showing at 8 p.m. Saturday, June 4 (Courtesy of FilmOut San Diego)\" width=\"1024\" height=\"438\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/438;\" \/><\/a><figcaption id=\"caption-attachment-25519\" class=\"wp-caption-text\">Scene from \u201cShared Rooms,\u201d the Boys Centerpiece showing at 8 p.m. Saturday, June 4<br \/>(Courtesy of FilmOut San Diego)<\/figcaption><\/figure>\n<p>But McQuiggan is getting ahead of himself. What about the 2016 festival?<\/p>\n<p>\u201cThe selections this year were pretty much dark in tone \u2014 \u2018Kiss Me, Kill Me,\u2019 \u2018Paris 05:59 (Theo and Hugo),\u2019<strong> &#039;<\/strong>ToY,\u2019 \u2018Downriver\u2019 and \u2018Closet Monster\u2019 \u2014 or rom-coms, \u2018Coming In,\u2019 \u2018Shared Rooms,\u2019 \u2018S&amp;M Sally,\u2019 \u2018Front Cover\u2019 and \u2018Flatbush Luck,\u2019\u201d McQuiggan said.<\/p>\n<p>\u201cThere really was no middle ground. There were a few more outstanding documentaries to include, but simply no room,\u201d he added. \u201cAnd documentaries that play at FilmOut are a tough sell, unless they are about a celebrity, like \u2018Tab Hunter Confidential\u2019; contain risqu\u00e9 themes such as \u2018Interior Leather Bar\u2019; are socially relevant like \u2018In The Turn\u2019; or are about our history, as in this year\u2019s \u2018Upstairs Inferno.\u2019\u201d<\/p>\n<p>In all, the film festival will showcase two world premieres, six U.S. premieres and four West Coast premieres.<\/p>\n<p>Here is the schedule of events for the festival:<\/p>\n<p><strong>FRIDAY, JUNE 3<\/strong><\/p>\n<ul>\n<li><em> 7 p.m. \u2014 Opening Night film and after-party<\/em><\/li>\n<\/ul>\n<p><strong>\u201cKiss Me, Kill Me\u201d <\/strong>(U.S.)<\/p>\n<p>Directed by Casper Andreas<\/p>\n<p>estreno en california<\/p>\n<p>Screenwriter David Michael Barrett (\u201cSuch Good People\u201d) and director Casper Andreas (\u201cGoing Down in LA-LA Land\u201d) team up for a gay twist on the classic film noir set in L.A.<\/p>\n<p>Van Hansis (\u201cAs The World Turns\u201d) stars as Dusty and Gale Harold (\u201cQueer As Folk\u201d) as his wealthy boyfriend Stephen. After angrily confronting his cheating boyfriend, Dusty blacks out and wakes up in the middle of a murder scene. His nightmare only gets worse as he becomes the prime suspect.<\/p>\n<p>The stellar cast includes Brianna Brown, Yolonda Ross, Jai Rodriguez, Matthew Ludwinski, Kit Williamson, D.J. \u201cShangela\u201d Pierce, Allison Lane, Jackie Monahan, Craig Robert Young, Michael Maize and Jonathan Lisecki.<\/p>\n<p>Shown with a 15-minute short film, <strong>\u201cB\u201d<\/strong> (Germany), directed by Kai Stanicke. The West Coast premiere is the story of \u201cB,\u201d who is torn between a loveless relationship with \u201cK\u201d and her feelings for another woman.<\/p>\n<p>Tickets cost $30 for the Opening Night film and the after-party at the Sunset Temple.<\/p>\n<p><strong>SATURDAY, JUNE 4<\/strong><\/p>\n<ul>\n<li><em> 11 a.m. \u2014 Best of LGBT Shorts<\/em><\/li>\n<\/ul>\n<p>Corto 1: <strong>\u201cThe Tormentors\u201d<\/strong> (Australia), directed by Darren L. Downs (16 minutes)<\/p>\n<p>Corto 2: <strong>\u201cWedlocked\u201d<\/strong> (U.S.), directed by Puppett (11 minutes)<\/p>\n<p>Corto 3: <strong>\u201cBack Again (De Vuelta)\u201d<\/strong> (Spain), directed by Gabriel Dorado (13 minutes)<\/p>\n<p>Corto 4: <strong>\u201cThe Future Perfect\u201d<\/strong> (Canada), directed by Nick Citton (12 minutes)<\/p>\n<p>Corto 5: <strong>\u201cGirl Night Stand\u201d<\/strong> (U.S.), directed by Jenna Laurenzo (9 minutes)<\/p>\n<p>Corto 6: <strong>\u201cVessels\u201d<\/strong> (U.S.), directed by Arkasha Stevenson (15 minutes)<\/p>\n<p>Corto 7: <strong>\u201cBuddy\u201d<\/strong> (Netherlands), directed by Niels Bourgonje (11 minutes)<\/p>\n<p>Corto 8: <strong>\u201cSpare Parts\u201d<\/strong> (U.S.), directed by Yasmin All-Manaseer (7 minutes)<\/p>\n<p>Corto 9: <strong>\u201cSpoken In Jest\u201d<\/strong> (Mexico), directed by Rolando Trevino (5 minutes)<\/p>\n<p>Corto 10: <strong>\u201cMy Life Is A Dream\u201d<\/strong> (U.S.), directed by Brian Benson (9 minutes)<\/p>\n<p>Tickets for the 10 short films cost $10.<\/p>\n<ul>\n<li><em> 1:15 p.m. \u2014 Girls Centerpiece<\/em><\/li>\n<\/ul>\n<p><strong>\u201cToY\u201d (U.S.)<\/strong><\/p>\n<p>Directed by Patrick Chapman<\/p>\n<p>estreno en el sur de california<\/p>\n<p>Briana Evigan plays Chloe, a young, wealthy, talented but na\u00efve artist whose newest artwork leads her to a beautiful, aging call girl named Kat (Kerry Norton). As each woman fights their own personal demons, they begin to grasp on to each other. It\u2019s a story of second chances and the desperation to survive.<\/p>\n<p>Shown with two 7-minute shorts: <strong>\u201cBlind Date\u201d<\/strong> (U.S.), directed by Adrienne Lovette, in its world premiere; <strong>\u201cPartners\u201d<\/strong> (U.S.), directed by Joey Ally, has its West Coast premiere.<\/p>\n<p>Tickets cost $10.<\/p>\n<ul>\n<li><em> 3:30 p.m. \u2014 Festival Spotlight<\/em><\/li>\n<\/ul>\n<p><strong>\u201cUpstairs Inferno\u201d (U.S.)<\/strong><\/p>\n<p>Directed by Robert L. Camina<\/p>\n<p>This powerful documentary examines the true story of the largest gay mass murder in U.S. history. On June 24, 1973, an arsonist set fire to the stairwell leading up to the Upstairs Lounge, a gay bar in New Orleans. Within minutes, patrons were trapped in the raging inferno and behind barred windows.<\/p>\n<p>While a few heroes led some of the patrons to safety, 32 people could not escape the flames and perished. Camina, the Texas filmmaker who made the outstanding \u201cRaid On The Rainbow Lounge\u201d previously shown at FilmOut, interviewed emotional survivors, relatives and friends who condemn the callous behavior of the city\u2019s police and fire departments, and its churches that refused to conduct funerals for homosexuals, and the media that barely acknowledged the horrible tragedy. To this day, no one has been convicted of the crime.<\/p>\n<p>Shown with a 10-minute short, <strong>\u201cIntrinsic Moral Evil\u201d<\/strong> (Netherlands), directed by Harm Weistra.<\/p>\n<p>Tickets cost $10.<\/p>\n<ul>\n<li><em> 5:45 p.m. \u2014 Bisexuality Showcase<\/em><\/li>\n<\/ul>\n<p><strong>\u201cComing In\u201d (Germany)<\/strong><\/p>\n<p>Directed by Marco Kreuzpainter<\/p>\n<p>estreno en la costa oeste<\/p>\n<p>Kostja Ullmann portrays Tom Herzner, a notoriously hip hair stylist in Berlin who is viewed as a role model for the gay community. But things get complicated in this sophisticated comedy when Tom finds himself attracted to Heidi (Aylin Tezel), a sassy but unpretentious \u2014 and straight \u2014 hairdresser who runs an edgy salon.<\/p>\n<p>Shown with an 11-minute short, <strong>\u201cThe Memory of You\u201d<\/strong> (Sweden), directed by Nils Asen and having its U.S. premiere.<\/p>\n<p>Tickets cost $10<\/p>\n<ul>\n<li><em> 8 p.m. \u2014 Boys Centerpiece<\/em><\/li>\n<\/ul>\n<p><strong>\u201cShared Rooms\u201d (U.S.)<\/strong><\/p>\n<p>Directed by Rob Williams<\/p>\n<p>estreno en estados unidos<\/p>\n<p>This romantic comedy looks at the meaning of home and family through three interrelated stories of gay men finding connections during the week between Christmas and New Year\u2019s Day. Stars Justin Xavier Smith, Eric Allen Smith, Daniel Lipshutz, Robert Werner, Christopher Grant Pearson, Alec Manley Wilson, David Vaught, and Alexander Neil Miller.<\/p>\n<p>Shown with the 15-minute short, <strong>\u201cBed Buddies\u201d<\/strong> (U.S.), directed by Reid Waterer and having its U.S. premiere.<\/p>\n<p>Tickets cost $10.<\/p>\n<ul>\n<li><em> 10 p.m. \u2014 The Late Show<\/em><\/li>\n<\/ul>\n<p><strong>\u201cParis 05:59 (Theo and Hugo)\u201d (France)<\/strong><\/p>\n<p>Directed by Olivier Ducastel and Jacques Martineau<\/p>\n<p>The extended opening scenes, filmed inside a Parisian sex club, are about as intense and graphic and sexy as a movie can be.<\/p>\n<p>Two young men (Geoffrey Couet and Francois Nambot) lock eyes from across a darkened dungeon, beginning a long night of sex and conversation that leads to totally unexpected places. Couet and Nambot give electrifying performances that are totally believable and rich in depth.<\/p>\n<p>Shown with the 20-minute short, <strong>\u201cSauna The Dead: A Fairy Tale\u201d<\/strong> (U.K.), directed by Tom Frederic and having is U.S. premiere.<\/p>\n<p>Tickets cost $10.<\/p>\n<figure id=\"attachment_25516\" aria-describedby=\"caption-attachment-25516\" style=\"width: 595px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2016\/06\/Downriver.jpg\"><img decoding=\"async\" class=\"wp-image-25516 lazyload\" data-src=\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2016\/06\/Downriver-1024x576.jpg\" alt=\"Scene from \u201cDownriver,\u201d showing at 11 a.m. Sunday, June 5 (Courtesy of FilmOut San Diego)\" width=\"595\" height=\"335\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 595px; --smush-placeholder-aspect-ratio: 595\/335;\" \/><\/a><figcaption id=\"caption-attachment-25516\" class=\"wp-caption-text\">Scene from \u201cDownriver,\u201d showing at 11 a.m. Sunday, June 5 (Courtesy of FilmOut San Diego)<\/figcaption><\/figure>\n<p><strong>SUNDAY, JUNE 5<\/strong><\/p>\n<ul>\n<li><em> 11 a.m. \u2014 International Spotlight<\/em><\/li>\n<\/ul>\n<p><strong>\u201cDownriver\u201d (Australia)<\/strong><\/p>\n<p>Directed by Grant Scicluna<\/p>\n<p>estreno en la costa oeste<\/p>\n<p>Reef Ireland plays James, a young adult just released from prison after serving time for his involvement in the drowning of a young boy in a river in Australia. Ravaged with uncertainty, dealing with his estranged family and forced to face the dead boy\u2019s mother, James sets off for the river on a journey of self-discovery and a search for the truth. A dark, brooding and intense movie from Down Under.<\/p>\n<p>Shown with two shorts: <strong>\u201cLittle Elephant\u201d<\/strong> (U.K.), directed by Kate Jessop and having its U.S. premiere; and <strong>\u201cEasy: A 3-Minute Love Story\u201d<\/strong> (U.S.), directed by Robert Guthrie.<\/p>\n<p>Tickets cost $10.<\/p>\n<ul>\n<li><em> 1 p.m. \u2014 Comedy Showcase<\/em><\/li>\n<\/ul>\n<figure id=\"attachment_25517\" aria-describedby=\"caption-attachment-25517\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2016\/06\/SM-Sally.jpg\"><img decoding=\"async\" class=\"size-medium wp-image-25517 lazyload\" data-src=\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2016\/06\/SM-Sally-300x182.jpg\" alt=\"Scene from \u201cS&amp;M Sally,\u201d playing at 1 p.m. Sunday (Courtesy of FilmOut San Diego)\" width=\"300\" height=\"182\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/182;\" \/><\/a><figcaption id=\"caption-attachment-25517\" class=\"wp-caption-text\">Scene from \u201cS&amp;M Sally,\u201d playing at 1 p.m. Sunday<br \/>(Courtesy of FilmOut San Diego)<\/figcaption><\/figure>\n<p><strong>\u201cS&amp;M Sally\u201d (U.S.)<\/strong><\/p>\n<p>Directed by Michelle Ehlen<\/p>\n<p>Michelle Ehlen plays Jamie, an insecure lesbian who learns that her girlfriend Jill (Jen McPherson) has been going to sex clubs to enjoy BDSM \u2014 something she knows nothing about. But Jamie gamely decides to become \u201cSally\u201d and join Jill on her sexpoits. It\u2019s a hilarious comedy for all audiences.<\/p>\n<p>Shown with two shorts: <strong>\u201cEscape\u201d<\/strong> (U.S.), directed by Simha Pradeep Katasani; and <strong>\u201cStep\u201d<\/strong> (Sweden), directed by Alva Lindenbaum.<\/p>\n<p>Tickets cost $10.<\/p>\n<ul>\n<li><em> 3 p.m. \u2014 Afternoon Showcase<\/em><\/li>\n<\/ul>\n<p><strong>\u201cCloset Monster\u201d (U.S.)<\/strong><\/p>\n<p>Directed by Stephen Dunn<\/p>\n<p>Connor Jessup plays Oscar Madly, a creative and driven teenager who is unsure of his sexuality and haunted by horrific images of a tragic gay bashing he witnessed as a young boy. Oscar dreams of escaping the small town where he feels he is suffocating and in his fantasy he has created a talking hamster that helps him confront his surreal demons and discover himself.<\/p>\n<p>Shown with the short film <strong>\u201cNoam\u201d<\/strong> (Israel), directed by Boaz Foster.<\/p>\n<ul>\n<li><em> 5 p.m. \u2014 Asian Showcase<\/em><\/li>\n<\/ul>\n<p><strong>\u201cFront Cover\u201d (U.S.)<\/strong><\/p>\n<p>Directed by Ray Yeung<\/p>\n<figure id=\"attachment_25518\" aria-describedby=\"caption-attachment-25518\" style=\"width: 1024px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2016\/06\/Front-Cover.jpg\"><img decoding=\"async\" class=\"size-large wp-image-25518 lazyload\" data-src=\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2016\/06\/Front-Cover-1024x682.jpg\" alt=\"Scene from \u201cFront Cover,\u201d showing at 5 p.m. Sunday, June 5 (Courtesy of FilmOut San Diego)\" width=\"1024\" height=\"682\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/682;\" \/><\/a><figcaption id=\"caption-attachment-25518\" class=\"wp-caption-text\">Scene from \u201cFront Cover,\u201d showing at 5 p.m. Sunday, June 5 (Courtesy of FilmOut San Diego)<\/figcaption><\/figure>\n<p>Jake Choi stars as Ryan, a New York City fashion stylist who has rejected his Asian upbringing. But an assignment to style a macho-acting but closeted Chinese actor (James Chen) forces him to reexamine his heritage and make a life-changing decision. This comedy\/drama is nuanced and charming.<\/p>\n<p>Shown with two short films: <strong>\u201cTrue Colours\u201d<\/strong> (Australia), directed by David Valent with its West Coast premiere; and <strong>\u201cFamily Values\u201d <\/strong>(U.S.), directed by Val Singhal with its world premiere.<\/p>\n<p>Tickets cost $10.<\/p>\n<ul>\n<li><em> 7 p.m. \u2014 Closing Night film<\/em><\/li>\n<\/ul>\n<p><strong>\u201cFlatbush Luck\u201d (U.S.)<\/strong><\/p>\n<p>Directed by Casper Andreas<\/p>\n<p>estreno en la costa oeste<\/p>\n<p>Tanner Novlan stars as former Wall Street hotshot Jimmy who works alongside his cousin Max (Robby Stahl) as telephone repairmen in the Brooklyn neighborhood of Flatbush. Jimmy overhears illegal insider trading and takes advantage of the information to make a killing in the stock market. Meanwhile, Max is engaged to be married to Donna (Jenna Perez), but gets cold feet when a massage by a hunky Latino (Juahn Cabrera) makes him question his sexuality. A terrific movie for all audiences, written by Andreas and James Balletto.<\/p>\n<p>Shown with two shorts: <strong>\u201cLady Of The Night\u201d<\/strong> (France), directed by Laurent Boileau; and <strong>\u201cDinner With Jeffrey\u201d<\/strong> (U.S.), directed by Sam Greisman and having its U.S. premiere.<\/p>\n<p><a href=\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2016\/06\/Screen-Shot-2016-06-02-at-2.35.59-PM.png\"><img decoding=\"async\" class=\"alignright  wp-image-25529 lazyload\" data-src=\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2016\/06\/Screen-Shot-2016-06-02-at-2.35.59-PM-300x282.png\" alt=\"Screen Shot 2016-06-02 at 2.35.59 PM\" width=\"212\" height=\"199\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 212px; --smush-placeholder-aspect-ratio: 212\/199;\" \/><\/a>Tickets cost $20 for the Closing Night film and the after-party inside the theater, catered by West Coast Tavern.<\/p>\n<p><em>\u2014Ken Williams is a contributing editor of Gay San Diego and can be reached at <\/em><a href=\"mailto:ken@sdcnn.com\"><em>ken@sdcnn.com<\/em><\/a><em> or at 619-961-1952. He also serves a voluntary position as Film &amp; Media Relations Director for FilmOut San Diego.<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>FilmOut\u2019s LGBT Film Festival is ready for prime time By Ken Williams | Contributing Editor If you like to laugh, FilmOut San Diego has something for you. If you like to cry at the movies, bring your tissues. And if you like films that are moody or dramatic, that\u2019s on the festival program, too.<\/p>","protected":false},"author":726,"featured_media":250294,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"11555","_seopress_titles_title":"That\u2019s a wrap!","_seopress_titles_desc":"","_seopress_robots_index":"","jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[11549,11547,11551,11555],"tags":[],"class_list":["post-250293","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-entertainment","category-features","category-news","category-uptown-news"],"_links":{"self":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts\/250293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/users\/726"}],"replies":[{"embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/comments?post=250293"}],"version-history":[{"count":0,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts\/250293\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/media\/250294"}],"wp:attachment":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/media?parent=250293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/categories?post=250293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/tags?post=250293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}