{"id":246014,"date":"2013-04-12T00:00:00","date_gmt":"2013-04-12T07:00:00","guid":{"rendered":"https:\/\/sdnews.com\/magical-moments-at-ion\/"},"modified":"2013-04-12T00:00:00","modified_gmt":"2013-04-12T07:00:00","slug":"magical-moments-at-ion","status":"publish","type":"post","link":"https:\/\/test.sdnews.com\/es\/magical-moments-at-ion\/","title":{"rendered":"Magical moments at ion"},"content":{"rendered":"<p><strong><\/strong><strong><\/strong>Not to be missed, \u2018Grey Gardens\u2019 is extraordinary, deeply touching<\/p>\n<p>Por Charlene Baldridge | Cr\u00edtico de Teatro SDUN<\/p>\n<p>For playwright and book-writer Doug Wright, nothing beats reality for subject matter.<!--more--> Following his Pulitzer Prize- and Tony Award-winning \u201cI Am My Own Wife,\u201d based on face-to-face research with German transsexual Charlotte von Mahlsdorf, Wright next wrote the book for the musical \u201cGrey Gardens\u201d based on a 1975 documentary about the reclusive Beales of East Hampton, Long Island. Then, he used a film documentary for the La Jolla Playhouse-sprung musical \u201cHands on a Hardbody,\u201d still playing on Broadway.<\/p>\n<figure id=\"attachment_13264\" aria-describedby=\"caption-attachment-13264\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2013\/04\/web-8.jpg\"><img decoding=\"async\" class=\"size-medium wp-image-13264 lazyload\" alt=\"(l to r) Annie Hinton and Linda Libby (Photo by Ken Jacques)\" data-src=\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2013\/04\/web-8-300x241.jpg\" width=\"300\" height=\"241\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/241;\" \/><\/a><figcaption id=\"caption-attachment-13264\" class=\"wp-caption-text\">(l to r) Annie Hinton and Linda Libby (Photo by Ken Jacques)<\/figcaption><\/figure>\n<p>A splendid production of \u201cGrey Gardens\u201d continues at ion theatre company through April 28. The theater is small and the emotions are huge, due to the performances of Linda Libby, Annie Hinton and Charlene Koepf, all as the Beale mother and daughter. Part of the wealthy Bouvier family, \u201cBig\u201d Edith Bouvier Beale and \u201cLittle\u201d Edie Beale were Jacqueline Bouvier Kennedy and her sister Lee Bouvier Radzewill\u2019s aunt and cousin, respectively.<\/p>\n<p>Following a prologue set in 1973, playgoers are privy to happier days in 1941 when Grey Gardens, built in 1897, was filled with gaiety. Big Edith (Libby in Act I) had been an amateur singer-performer before marrying the wealthy Phelan Beale, a financier and lawyer in her father\u2019s law firm. Three decades later the divorced mother and her daughter were discovered living in squalor in the filthy and dilapidated 14-room East Hampton \u201ccottage\u201d known as Grey Gardens.<\/p>\n<p>In Act I Little Edie (Koepf) and her fianc\u00e9, Joseph Patrick Kennedy, Jr. (Charles Evans), await the arrival of guests for a festive party to announce their engagement. They hope to persuade Edith (Libby) not to entertain along with her boozy, gay, live-in accompanist \u2013 \u201cWe didn\u2019t have a black sheep of our own so we imported one\u201d \u2013 who is played by Ruff Yeager in a riotously understated performance. Edith contrives for the arch conservative Kennedy to learn of Edie\u2019s wild college escapades. Kennedy breaks off the engagement just as the guests arrive, killing Edie\u2019s hopes of escape. Disgusted with Edith, Edie leaves for Manhattan to break into show business.<\/p>\n<p>Act II is set in 1973, when Edie (now played by Libby) is 56 and her mother (now Hinton) is 79. These two women are truly wondrous singers. Edith, who hasn\u2019t left the house for many years, has taken to her bed and is grudgingly attended by Edie. Edith, who subsists on \u201cp\u00e2t\u00e9\u201d and canned soup, is visited by an awestruck teenage boy (Evans), who not only finds her record and record player, but also finds the old woman enchanting. Other actors from Act I (including Yeager, Koepf, Kevane La\u2019Marr Coleman, Emma Rasse, Lou Rasse and Ralph Johnson) appear in Edith and Edie\u2019s hallucinations. The final scene is a humdinger, one of those magical moments never to be forgotten.<\/p>\n<p>The women\u2019s physical and mental disarray and the rancor of their ongoing love-hate relationship are pitiable and funny even though portrayed in something akin to vaudeville style in Act II.<\/p>\n<p>Hinton, Libby and Yeager are consummate actor-singers and beautifully cast anchors for Wright, Scott Frankel (music) and Michael Korie\u2019s (lyrics) extraordinary, deeply touching musical. They are supported by Wendy Thompson\u00a0on keyboards and Yeager on the onstage baby grand. The\u00a0music director is Janie Prim.<\/p>\n<p>Erick Sundquist\u2019s upside down, sideways and backwards costumes add pathos and humor with wigs and makeup by Courtney Fox Smith; Michael Mizerany\u2019s choreography evokes character and period; Karin Filijan\u2019s lighting enhances the mood, and Claudio Raygoza\u2019s set is a mini-miracle as detailed by David Medina\u2019s props.<\/p>\n<p>The biggest asset, other than music and lyrics, may be Kim Strassburger\u2019s loving and canny direction. Do not miss this show.<\/p>\n<p><strong>\u201cGrey Gardens\u201d<\/strong><br \/>\n<strong>WHERE: ion theatre company, 3704 Sixth Ave. (Hillcrest)<\/strong><br \/>\n<strong>WHEN: Thurs. \u2013 Sat. at 8 p.m., and Sat. at 4 p.m. through April 20.<\/strong><br \/>\n<strong>INFO: 619-600-5020<\/strong><br \/>\n<strong>WEB: <a href=\"http:\/\/iontheatre.com\" target=\"_blank\" rel=\"noopener\">iontheatre.com<\/a><\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>Not to be missed, \u2018Grey Gardens\u2019 is extraordinary, deeply touching By Charlene Baldridge | SDUN Theater Critic For playwright and book-writer Doug Wright, nothing beats reality for subject matter.<\/p>","protected":false},"author":726,"featured_media":246015,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"11555","_seopress_titles_title":"Magical moments at ion","_seopress_titles_desc":"","_seopress_robots_index":"","jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[11549,11547,11551,11555],"tags":[],"class_list":["post-246014","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-entertainment","category-features","category-news","category-uptown-news"],"_links":{"self":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts\/246014","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/users\/726"}],"replies":[{"embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/comments?post=246014"}],"version-history":[{"count":0,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts\/246014\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/media\/246015"}],"wp:attachment":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/media?parent=246014"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/categories?post=246014"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/tags?post=246014"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}