{"id":243072,"date":"2009-12-15T00:00:00","date_gmt":"2009-12-15T08:00:00","guid":{"rendered":"https:\/\/sdnews.com\/an-interview-up-in-the-air-director-jason-reitman\/"},"modified":"2009-12-15T00:00:00","modified_gmt":"2009-12-15T08:00:00","slug":"an-interview-up-in-the-air-director-jason-reitman","status":"publish","type":"post","link":"https:\/\/test.sdnews.com\/es\/an-interview-up-in-the-air-director-jason-reitman\/","title":{"rendered":"An Interview &#8220;Up in the Air&#8221; Director, Jason Reitman"},"content":{"rendered":"<p>A brief question of aesthetics with Jason Reitman, director and co-writer of \u201cUp in the Air\u201d<br \/>\npor Scott Marks<\/p>\n<p><a href=\"https:\/\/sduptownnews.com\/?attachment_id=2485\" rel=\"attachment wp-att-2485\"><img decoding=\"async\" data-src=\"https:\/\/sduptownnews.com\/wp-content\/uploads\/2009\/12\/jason-rietman.jpg\" alt=\"jason rietman\" title=\"jason rietman\" width=\"275\" height=\"344\" class=\"alignright size-full wp-image-2485 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 275px; --smush-placeholder-aspect-ratio: 275\/344;\" \/><\/a>   Jason Reitman recently spent a day at the Hyatt Regency La Jolla at Aventine hyping his new film \u201cUp in the Air.\u201d The romantic comedy\/drama that stars George Clooney as a frequent-flier mile fetishist\/corporate grim reaper who travels cross country firing people opened Dec. 4 citywide.<br \/>\n   The conversation seemed to be going so well that I actually got the nerve to bring up a certain tendency in American cinema that causes me to choke back my popcorn. After all, considering that I have never committed so much as one frame to celluloid, who better to tell an Oscar-bound auteur how to ply his trade?<\/p>\n<p>Scott: I\u2019m going to hit you with one little complaint that\u2019s one of my pet peeves about movies.<br \/>\nJason Reitman: All right.<\/p>\n<p>Q: Why so many close-ups?<br \/>\nA: Really?<\/p>\n<p>Q: There are a lot of close-ups and two shots in this movie.<br \/>\nA: What do you like? What would you prefer?<\/p>\n<p>Q: I\u2019d prefer it if you had pulled the camera back, especially in a situation like this, to see how these characters relate to an environment that is so crucial to them. What is it about the way they relate to their environment and what does it say about them?<br \/>\nA: I just like being lost in conversations.<\/p>\n<p>Q: But that\u2019s called radio. There are some beautiful exterior shots in the film, particularly the one outside the Hyatt Hotel where Ryan (George Clooney) is in the room on the right and Natalie (Anna Kendrick) is in the room on the left. This tells me so much about these characters without one word of dialogue.<br \/>\nA: I know, and that\u2019s why that moment is there. My point of view has always been I want to establish beautiful shots that remind you that this is cinematic. Once we get into the dialogue I want you to just listen. I want you to be in the conversation right over their shoulder, looking into the person\u2019s eyes. It\u2019s not time to be fancy at that point and it\u2019s not time to talk about the location. At that point it\u2019s about what these people feel. What are they saying \u2026 how would you feel if you were in this conversation yourself?<\/p>\n<p>Q: I\u2019ve seen this movie twice and find the ending so sad, and that\u2019s not necessarily a bad thing.<br \/>\nA: Half the audience thinks it\u2019s a downer, half the audience thinks it\u2019s hopeful.<\/p>\n<p>Q: And I\u2019m not complaining about downer. I tend to like that.<br \/>\nA: I like downer too. It really all depends where you think he\u2019s going at the end. Some people think that he\u2019s getting back on the plane to the same exact place he\u2019s been living cyclically for the rest of time, and half of the people think he\u2019s going to pick a city and try and find someone to share his life with. It depends on what you believe. Christopher Buckley once said to me, \u201cWhen a movie works, it\u2019s a mirror.\u201d I think this one is a mirror. You\u2019re just a glass-half-empty guy.<\/p>\n<p>Q: And I like this movie. What does that say?<br \/>\nA: I like sad movies, too. Maybe I\u2019m a glass-half-empty guy, too.<\/p>\n<p>Q: The ending just struck me as so melancholic.<\/p>\n<p>A: (Smiling.) I only know you so well and I\u2019m going to guess on your general age and the fact that you work in an industry that is firing people left, right and center and where newspapers are closing down constantly that this movie probably spoke to you in a very personal way. You saw yourself in this character a lot and that\u2019s probably why you saw the melancholy aspects.<\/p>","protected":false},"excerpt":{"rendered":"<p>A brief question of aesthetics with Jason Reitman, director and co-writer of \u201cUp in the Air\u201d By Scott Marks Jason Reitman recently spent a day at the Hyatt Regency La Jolla at Aventine hyping his new film \u201cUp in the Air.\u201d The romantic comedy\/drama that stars George Clooney as a frequent-flier mile fetishist\/corporate grim reaper [&hellip;]<\/p>","protected":false},"author":726,"featured_media":243073,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"11555","_seopress_titles_title":"An Interview \"Up in the Air\" Director, Jason Reitman","_seopress_titles_desc":"","_seopress_robots_index":"","jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[11549,11551,11555],"tags":[],"class_list":["post-243072","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-entertainment","category-news","category-uptown-news"],"_links":{"self":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts\/243072","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/users\/726"}],"replies":[{"embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/comments?post=243072"}],"version-history":[{"count":0,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/posts\/243072\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/media\/243073"}],"wp:attachment":[{"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/media?parent=243072"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/categories?post=243072"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/test.sdnews.com\/es\/wp-json\/wp\/v2\/tags?post=243072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}