Surreal, satiric ‘Enron’ opens at Moxie
By Charlene Baldridge | Theater Review “Do they always do things so well?” asked my flabbergasted companion during the interval...
By Charlene Baldridge | Theater Review “Do they always do things so well?” asked my flabbergasted companion during the interval...
By Charlene Baldridge | Theater Review “Do they always do things so well?” asked my flabbergasted companion during the interval...
By Charlene Baldridge Opening night arrived Nov. 9 with many assurances that the critic — making her way through a...
By Charlene Baldridge On St. Crispin’s day, Oct. 25, a certain corner in Hillcrest rang with the sound of bagpipes;...
Charlene Baldridge | Theater Review Touted as the King of Ragtime, African-American composer Scott Joplin (circa 1867-1868 to 1917) became...
Charlene Baldridge | Theater Review Playwright Paul Rudnick has long been known for fluffy, rather thin plays that provide elevated...
Charlene Baldridge | Uptown News This writer went home from the Old Globe’s production of Sir Ronald Harwood’s “Quartet” wishing several...
Charlene Baldridge | Downtown News Love in the time of Comic-con The opening night of “Geeks! The Musical” got lost somewhere...
Charlene Baldridge | Uptown News Let it be stated: This arts writer is wary of the word and the deed “reimagined.”...
Charlene Baldridge | Theater Review “Bare: A Pop Opera,” playing at Diversionary Theatre through August 3, is quite a surprise. One...
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