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SDNews.com
Home Arts & Entertainment

Assessing the year in theater

Charlene Baldridge by Charlene Baldridge
January 1, 2016
in Arts & Entertainment, Features, SDNews
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Assessing the year in theater

By Charlene Baldridge

Theatrically, it’s time to take a look back upon the year 2015, name a few favorite productions here in San Diego County, and take a look forward into 2016, finding what looks worthwhile and perhaps taking some time to fret over what seems troubling.

Please be aware that although I see most everything (I attended 115 theatrical productions, musicals, concerts and operas in town this year, not counting at least 10 Fringe Festival shows), there are some things I missed because scheduling is sometimes impossible.

Here’s what I found to be excellent:

Marsha Norman’s “‘night Mother,” at ion theatre company, so good I paid to see it again as skillfully directed by Glenn Paris and starring Sylvia M’Lafi Thompson as the mother of a daughter hell-bent on suicide, played by Yolanda Franklin.

SOTP_FullCast_1
The entire cast of the tragic “Sons of the Prophet” at Cygnet last January. (Photo by Daren Scott)

Stephen Karam’s 2011 off-Broadway hit, “Sons of the Prophet,” at Cygnet in January, directed by then-new associate artistic director, Rob Lutfy. It was a touching, wildly inscrutable, deeply comic play about a Pennsylvania man of Lebanese descent confined to a wheelchair by an undiagnosed illness, brilliantly played by newcomer Alex Hoeffler. The pace was 1,000 mph and the play chock-full of challenging characters, who repeatedly missed out on love.

17848397973_340d1ce36a_o
Jenn Colella as a flight captain with the cast of La Jolla Playhouse’s “Come From Away” in June. (Photo by Kevin Berne)

By far the most outstanding new musical of the year was La Jolla Playhouse’s world premiere of “Come From Away,” in which a huge ensemble company told the story of the planes and people that were forced to land in Newfoundland on 9/11.

A truly ravishing visual experience was the Old Globe’s “In Your Arms,” a dance musical with vignettes written by 10 major playwrights, directed and choreographed Christopher Gattelli. Best musical revival was San Diego Musical Theatre’s “La Cage Aux Folles” with endearing performances by Robert Townsend, David Engel and James Vasquez.

In_Your_Arms10_print
A scene from “In Your Arms” (Photo by Carol Rosegg)

I adored Jeanine Tesori’s “Violet,” sensitively directed by San Diego Repertory Artistic Director Sam Woodhouse.

REP-7409-Violet-L-R-Jacob-Caltrider-Rhett-George-Hannah-Corrigan-credit-Daren-Scott
The cast of San Diego REP’s “Violet” in September (Photo by Daren Scott)

Other laudable productions: “The Twenty-Seventh Man,” Old Globe Theatre; “Oedipus El Rey,” San Diego Repertory Theatre; “Freud’s Last Session” with Francis Gercke and Robert Smyth at Lamb’s Players Theatre; “A New Brain,” with Tom Zohar and his real-life husband Anthony Methvin, directed by Kim Strassburger at Diversionary Theatre; “Healing Wars,” La Jolla Playhouse; “The Quality of Life,” produced by Intrepid Theatre at the old Carlsbad Cinema; and “The Vortex” and “Hay Fever” in repertory at Cygnet.

And just for fun: “Return to the Forbidden Planet” at New Village Arts and “Silence of the Clams” at Diversionary; and “The (Curious Case of the) Watson Intelligence” at Moxie Theatre; and “Chapatti” at North Coast Repertory Theatre.

Intrepid Theatre Company is certainly the outstanding theater company of the year, having engendered the two most indelible performances of the year — Jeffrey Jones as the dying protagonist in “The Quality of Life,” and Eileen Bowman as Judy Garland in “End of the Rainbow,” at San Diego Rep. Both shows were directed by Christy Yael-Cox, who built wonderful supporting ensembles for each.

Good news and worrisome news for 2016

The re-enlivened InnerMission Theatre produced two fine shows in Diversionary Theatre’s new Black Box.

In worrisome news, Mo’olelo “lost” its newish artistic director, Lydia Fort, and more recently announced postponement of the remainder of the season. A pity.

Watch for these two new promising play festivals in January and February. The first, the Old Globe’s New Voices Festival, Jan. 15 –17, with readings as follows:

  • 7:30 p.m., Friday, Jan. 15: Sheri Wilner, Julia Jordan, and Adam Gwon’s musical, “Cake Off”
  • 4 p.m. Saturday, Jan. 16: Jiehae Park’s “peerless,” directed by Delicia Turner Sonnenberg
  • 7:30 p.m. Jan. 16: “The Blameless” by Nick Gandiello, directed by Globe Artistic Director Barry Edelstein;
  • 4 p.m. Sunday, Jan. 17: Mona Mansour’s “Unseen,” directed by Johanna McKeon.

All four readings take place in the Sheryl and Harvey White Theatre. Tickets are free but require reservations, open to the general public beginning Tuesday, Jan. 5 at noon, through the box office at 619-23-GLOBE.

For the second, La Jolla Playhouse received a $20,000 NEA grant to enhance this year’s DNA New Work Series, which takes place Feb. 15 – 27.

Plays will be announced in early January. Visit lajollaplayhouse.org.

Put these on the calendar now:

  • Broadway San Diego: Idina Menzel in “If/Then” Jan. 5 – 10 at Civic Theatre.
  • San Diego Repertory Theatre: John Patrick Shanley’s “Outside Mullingar” Jan. 14 – Feb. 21. Visit broadwaysd.com.
  • Old Globe: David Ives adaptation of the 18th century French farce, “Metromaniacs,” directed by legendary director Michael Kahn, Shiley Stage Jan. 30 – March 6. Visit theoldglobe.org.
  • San Diego Musical Theatre: Lynn Ahrens, Stephen Flaherty and Terrence McNally’s “Ragtime” — one of the best musicals of the 20th century. February 5 – 21 at Spreckels Theatre. Visit sdtm.org.

—Charlene Baldridge has been writing about the arts since 1979. You can follow her blog at charlenebaldridge.com or reach her at [email protected].

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